Wednesday 23 February 2011

February 23, 2011: Time Log

120 min- Watching the movie 7 Years in Tibet

210 min- Looking for sources, skimming through the Autobiography of the Dalai Lama and Echoes from Dharamsala

80 min- Doing Methods 2 practice and write up

60 min- Writing up this time log and the journal entry for the day

60 min- Going to the travel office, trying to coordinate with Hailey if we will be going into Dharamsala together

Total- 550 minutes

February 23, 2011: Learning Journal 6

Has it really been another week already?

I guess so.  I think as far as preparing for my project goes, my favorite part was watching Seven Years in Tibet.  Since I had heard it was pretty Hollywood-ish, I was not prepared for much, but I was happily surprised.  I learned a few things about Tibet and Tibetans that I was not familiar with before.  One thing that stuck out was that they clap to warn off an evil presence, and stick their tongue out as a more favorable greeting.  I do not quite remember, but I think I once read that it is a way of showing respecting, but in the movie it seemed like a way of saying hello.  Something to look more into.

From the movie I also was introduced to butter tea.  Gay Lag, or TJ La my Tibetan teacher, told us that this is a very common drink.  I have talked to my roommate and she is down with us trying to make it so that I can try to get used to it.  I liked the end of the movie where the cup of tea is left for the person waiting to return.  I too hope I get a white scarf.  :)

But back on the subject of tea, there was something in our class discussion last week that made me realize that this is going to be a tricky subject.  Being a Latter-day Saint, we are not supposed to drink tea, but I know that there are different kinds of tea that are kosher.  I've never had tea around, so I have no idea what those are, or if I like any tea at all, but this will be a sticky situation in Dharamsala.  When talking about ethics, Jay asked us to think about what we will do when offered tea.  My immediate response was that I would say it is against my religion.  However, Breanne was in the class, and she let us know that it needs to be a personal responsibility thing because several students in the past have had the tea, so that excuse will not work.  I jokingly thought about saying that I was allergic (but I had better watch out, because I just found out that I really am allergic to fish, where I used to apply this excuse universally).  That probably will not fly either though.

The more I think about it, the more I am convinced that I just need to figure out what kind of tea is kosher and try to get used to it before I go.  Luckily I have awesome roommates who will support me in that.  However, I do run the risk of coming off rude or demanding, but if I approach it right I think it would be better than outright refusing it.  With people I am intimate with, like my host family, I will explain the situation, but for just doing down the street I have to have some idea of what I am going to do.  It reminds me of the book Three Cups of Tea.  Granted that is in Pakistan, but the whole idea behind it is that the first cup, you are a stranger, the second a friend, and by the third you are considered family.  No, it is not the exact same culture, but it is clearly more than just a cup of tea.

Methods practice 2 was also a good lesson for me.  It was helpful to see what it is going to take in order to pull of a more creative project.  It is something I am excited for, but it will be tricky to pull of the balance I need between personal experience and objectivity in what I do not understand.

As far as other reading, I am excited about the new sources I found.  Freedom in Exile: The Autobiography of the Dalai Lama I think will be a particularly fun and useful read.  It is something I want to put into my course contract this summer.  Hopeful a directed readings with Professor Aaron Eastley.  I am still on a mad search for a source that sites the Dalai Lama encouraging Tibetans to share their story with the world as Emily suggested.  I guess I will try again next week.

Methods Practice 2: Participant Observation and Jots

Now that I know what it is I am looking for in my project, I can now try and generate a method on participate observation that would be the most useful for my personal needs.  For this reason, I chose to look at youtube videos on Dharamsala to get practice observing the foreign place.  However, because I am doing a more creative project, I need to have jots that are more aesthetic in nature.  There is an interesting balance I try to capture here.  They try to be subjective only when I can pull in previous life experiences and observations.  I try to be objective when I am defining something I see.  Having a writers approach to my jots, however, will make it easier to expand these into something someone would actually want to read.


What I have documented here are expanded jots.  I would to go one step farther to generate what it is that I need for my project. I watched two videos, which I link below, and was watched them each twice.

Video 1
 I turned off the sound.  There was background music with a woman singing in a language I do not understand. 

It then starts with landscape shots, the green is a brownish green.  This is where the writer comes out.  I have a theory about different greens, and why the green is different from my experience in Hawaii, Ghana, etc.  This is subjective, but something I could add to make more interesting.

There is a stone structure, short, and hidden in the shadows with a red flag waving next to it.  They are facing away from the viewer.

The houses seem to be stacked on top of each other.  Between the streets there are prayer flags waving in the wind of all different colors.  Like a celebration banner we would see here (subjective, but writer jots)

Here I see a woman, who at first I thought was a man from the distance, with a braid down her back.  As she walks down the street she hits these round red decorations so that they are all spinning by the time she ducks into the alley.

There is a shot of telephone wires.  They are a tangled mess.  It is near a house.  The streets are narrow.

Monkeys are shown, and another backdrop shot.  Zooms in on the mountain, the snow blends into the clouds as if this really were the roof of the world, and there was just a leap before you touched heaven.

Tuesday 22 February 2011

Echoes from Dharamsala: by Keila Diehl

I am beginning to give up on ever finding a direct quote from the Dalai Lama on telling stories.  Emily said that she heard it a lot from their personal accounts, so maybe I can just site her experience?  I have been looking for hours to no avail!  It is kind of frustrating...However, through the search process I have found yet another interesting article for my bibliography.

Echoes from Dharamsala was another source recommended to me by Emily.  This is about an ethnographer who is looking particularly at music in this refugee settlement, and she lists several reasons for doing so.  The thing that struck me the most was how beautiful her writing was.  I really loved her style!  She says that he writes with a "personal-professional nature" (xxiii), and that having the two voices change is advantageous fro what he is doing.  It reminded me of my own project and the concept of layers within a single travelers voice that adds that level of authenticity.

There is a lot to be learned from this book, and it is one I would like to read all the way through.  Another thing I enjoyed was hearing her reluctance for studying at Dharamsala instead of one of the many other settlements.  Like her, I too was reluctant when I first heard that Dharamsala was a touristy place.  I am kind of a village girl- preferably one that is not on Google maps.  Yet, she is just engulfed with the place, which is something I anticipate as well. 

This source will be good to explore for the narrative quality and for the creative components  she looks as.  She also seems to dive into preserving cultural identity, which will be something I encounter as well.

We also get pictures in this one!  So refreshing! It's nice to look around and see I am not alone.

Diehl, Keila.  Echoes from Dharamsala: Music in the Life of a Tibetan Refugee Community: Berkeley: University of California Press, 2002.  Print.

Freedom in Exile: The Autobiography of the Dalai Lama

Emily Bell suggested I read Freedom in Exile: The Autobiography of the Dalai Lama to find out more about what the Dalai Lama says about stories.  After a pretty intense skim, I was unable to find a direct quote on the importance of telling stories, but I think in many ways it is implied, and here are some of my observations.

The Dalai Lama opens by saying that he is writing this book in English despite his limitations with the language.  I think this also reflects the importance of an English education that the children are getting as refugees in India, which says something about writing in a way so that you can communicate to the world at large.  I ran into this argument a lot last year when I was looking at post-colonial writers in Africa

We also get a glimpse of his love for stories as a child.  It was always something he looked forward to, and he had quite a vivid imagination (28).

Also, we have this story in general to take into account.  His Holiness says that he wrote it so that people would understand why the Dalai Lama is an "ocean of wisdom" and educate people about the history with Tibet (1).

Something else I am excited to look more into are the little details that the Dalai Lama writes about his life.  Bits of his personality, his childhood, and the personal narrative of his exile.  There are also some great pictures included in my version, which always makes the photographer part of me smile. 

This is definitely something I want to get more into.  However, I am still looking for a single quote or some kind of evidence for the Dalai Lama encouraging people to tell stories.  I know it is out there somewhere!

Gyatso, Tenzin.  Freedom in Exile: The Autobiography of the Dalai Lama: New York: Harper Perennial, 1991.  Print.

Wednesday 16 February 2011

February 16, 2011: Time Log

90 min- Reading and writing up review of Method Meets Art

60 min- Practicing descriptive questions

50 min- Attending class for  February 9, 2011

30 min- Writing up this weeks learning journal

30 min- Brain storming 20 social situation triangles 

60 min- Looking up other sources for my bibliography assignment

120 min- Drafting the first draft of my project proposal

Total- 380 minutes

February 16, 2011: Learning Journal 5

I feel like so much has happened this week I do not even know where to begin.  I think I say that every week, but this time for real!  I think that the most interesting part of the week was putting together my project proposal draft.  It seems like it has been so long since I have dusted off the process, but I was happy that the second time around was much easier than the first time I wrote a project proposal.  I understand how everything works together now, which is helpful.  By drafting it I was also able to see where I need more work.  My methods section is taking forever to write, but I think I know what I want to say, but my literature review is a disaster.  I am having a hard time transitioning between the different sources I have found.  I may need to spend more time in the library.

I am really excited about the new sources I found though.  The book Method Meets Art by Patricia Leavy that Jay recommended was particularly useful.  It is something I have felt for the longest time but until now I had never seen any literature that could argue and articulate what it is I like to do on field studies with more artistic methods.  

Working on social situation triangles also made me realize how much I do not know about what I will be doing from a day to day basis.  In Ghana, I worked in the school and things were more structured.  Structured as in I knew where I was going each day and was not completely relying on serendipity.  This project is going to be a lot different than that.  It is exciting but also kind of scary.  Browsing through different parts of the triangles was helpful, but I think that until I get there I will not be able to really fill in the gaps.  I have no doubt that I will be able to, but it is hard to just imagine it having not been there before. 

Last class period was also really interesting.  We looked at descriptive questions and interviewing, but rather than just talk about it we acted it out.  Natalie was our informant, and the rest of us tried to ask descriptive questions.  Ashley pointed out that our techniques for asking questions were all very different and individual, but I still am not solid on what my niche is.  I think it is easier to do it in real life than in role playing somehow though.  When I have genuine interest in the subject it just comes easier.  Still, I recognize the need to practice because until you find that balance it is hard to know where to start- and I could lose some great first interviews trying to figure it out!  I practiced with my best friend Rachel.  With a project as broad as mine, (and being a pretty private person), I tried to ask questions about her life that would not make her feel uncomfortable or respond with short, uninteresting answers.  I found that some of my favorites were grand tour and mini tour questions though.  I asked her to tell me what a typical day for her looked like in high school which got me some interesting stories I did not anticipate.  Example questions were also helpful here.  I think it was Natalie, but someone in class talked about how it is easier for someone to talk about what an average person would say about a situation than to express their own opinions, so I asked Rachel how someone would probably describe the advantages and disadvantages of living as a BYU student in Provo.  She was less bashful about her opinions when it seemed less personal.  This is a new skill I want to use.

Tuesday 15 February 2011

Project Propsoal: Draft 1

Okay, so here is what I have so far.  I have two serious holes, my literature review and my methods, because these are still in the making, but everything else is here.


A Portrait of Dharamsala:
A Field Study Proposal on the process of Collecting Stories and the Need to Tell the Tale
By Rachel Rueckert

Intent:

    We all tell stories.  It is part of the human condition no matter when we were born or what culture we belong to.  I am interested in learning more about this process going on in Dharamsala, India—a refugee community composed of Tibetans living in exile with their leader the Dalai Lama, forced to flee their homeland because of Chinese invaders.  My purpose is to collect the stories of the many different people who make up this unique location and to compile a creative writing project consisting of short stories and narratives about their experiences as well as my own.  I will also document the process I go through to collect these accounts in order to learn more about the nature of storytelling and documenting experiences.  On a personal level, I am fascinated by the Tibetan culture thriving in this distinctive location, and am anxious to learn more from the personal accounts of the people who live here.  I want to further develop my writing skills, immerse myself in another culture, and learn more about the diversity of Dharamsala.

Ethics and Approval:

    Ethics is something I will constantly keep in mind while conducting my study.  Because I intend to share the information and personal histories of the people I meet, I will need to change the names and any information that would make them easily identifiable in that community.  I plan on documenting a lot of my process on an online blog as well, and I will need to be careful about what I post and again change the names of the people and sift through all of my material to ensure I am not posting anything sensitive without permission.  If needed, I will obtain informed consent to be as ethical as possible during my stay in Dharamsala. 
    In order to minimize risk and maximize the benefits of my study, I will make sure that I am up front with what I am doing with the people I meet.  I will always ask them if they are okay if I share their stories, and I will not press them on sensitive topics.  It is my job to let them know that they are participating voluntarily, and that they can stop at any time.  Other than some potentially touchy subjects, I think that the risks are fairly minimal as long as I am careful and respectful about what I am representing.  I will facilitate sustainability, practice appropriate reciprocity, and be mindful of the people who are helping me with this experience.
    In order to keep my ethics in check, I will receive approval from the IRB (Institutional Review Board) if necessary to ensure that there are more benefits than risks to my presence in Dharamsala.  Since I am planning to have a creative project as my outcome, I am hoping that I will be exempt from being a “research” project, but I will still need to be mindful of ethics.  I have been through the IRB process before and I am confident that if I plan well I will receive approval for this second time in the field as well.

Preliminary Plans for Post-field Application:

    My goal is to have a creative writing project by the end of my study to submit to publishers, including the BYU Inquiry Journal.  I would also like to present at the Inquiry Conference at BYU.  If I am able to gather enough pictures, I would also like to have the option of having a exhibit of my photography.  This study will help me gain more writing experience and make me more eligible for graduate school. 

Qualifications:

20 Social Situation Triangles... Dun Dun Dun...

In class last week we were challenged to make at least 20 social situation triangles.  The idea behind this is that on each corner you have three key elements-the players, the activity, and the location of things we could possibly study in the field.  Here are some of the things I came up with for my project.  With a topic as broad as mine, I have a lot of options


Players:
  1. Me
  2. Nuns
  3. Monks
  4. Bus driver
  5. Western travelers
  6. New immigrants
  7. Indian tourists
  8. Indian shop keepers
  9. My group members
  10. The restaurant workers
  11. Guy who sells stuff on the corner 
  12. Community leaders
  13. NGO workers
  14. Older generation from Tibet
  15. Hindi teacher 
  16. Original inhabitants of Dharamsala
  17. Host family members
  18. Other researchers
  19. People waiting in lines
  20. Yoga instructor
Activities:

Method Meets Art by Patricia Leavy

My friend and coworker Jay recommended that I read the first chapter of this book, Method Meets Art: Arts-Based Research Practice, and I am really grateful he did.  I wanted to underline almost everything as I went through this chapter, and I am sure that as I look more in-depth at the chapters on narrative inquiry, poetry, and visual representation I will have much more to add.

I feel like I have been looking for this book ever since I started field studies.  I am one of those "others for whom these research conventions make what was once a passion start to feel more like a job" (1).  This is why I have always turned towards more artistic approaches, and my whole avatar framework I developed in Ghana would certainly fall under this.  I loved this article because it articulated what I have been internally screaming for years.  Here are some of the insights I gathered.

By doing arts-based "research," we can "bridge and not divide both the artistic-self and the researcher-self."  There is a "profound relationship between the arts and sciences," and there are several viable reasons that more and more people are turning towards alternative methods (2).  Art-based research is more holistic, it is a new genre that "comprises new theoretical and epistemological groundings that are expanding the qualitative paradigm" (3).  In many ways it can capture and represent what traditional research cannot, some of the most fundamental aspects of human experience.  Additionally, there are "tremendous meaning-making and pedagogical capabilities" within this emerging genre.  It is not merely used at the representation stage of research, but during all phases instead (4).

This chapter also talked about the qualitative paradigm and how it has changed based on the emergence of ethnography with people like Geertz and Goffman coming into the picture.  Starting int he 90's though, art-based practices became a legit new method.  The cool thing I find about this is that it looks at "knowledge as a process, a temporary state" (9)and that it is not linear.  Rather, it is iterative, and meaning emerges through "labeling, identifying, and classifying emerging concepts and testing hypotheses; finding patterns; and generating theory" It helps us to look more at the process of meaning-making as well (10).

Sunday 13 February 2011

The Seven Basic Plots: Why We Tell Stories by Christophor Booker

This book stood out to me because it sounded a lot like the sources Emily was quoting when talking about a universal narrative, and how it is so quintessentially human.  This book has been cited almost 500 times, which tells me it is a very credible source to look into.

It begins by relating the movie Jaws to Beowulf (the overcoming the monster plot), and how there are so many similarities between the basic story lines in all places.  At first the author says that he was not so sold on this notion, but after 30 years of research he is ready to buy into it.  I have not read the whole book (it is a BIG book), but the 7 plots he goes into are overcoming the monster, rags to rights, the quest, voyage and return, comedy, tragedy, and rebirth.  Booker says that it does not take us long after we start talking to begin demanding stories, which is evidence of the innate appetite we have for them.  However, this source goes beyond noticing the phenomenon, but tries to identify why we do it.  Booker goes on to say that if you say random words you are given mental images, and these go on to create sequences, and like a film we see this manifested in things like dreams.  As humans, we have remarkable imaginations and it seems we cannot refrain from crafting stories of our existence. 

Booker then goes into a bunch of different books and movies and talks about some of the basic plots that connect them all, but what was more interesting to me was what he says about why these stories are found in all different cultural contexts.  I think that this could be a great source to tie together some of the thoughts I am having about the universal narrative, and it answers some of the fundamental questions about why we tell stories to begin with.  For a creative project, it is necessary to have a source like this to justify me going into the field at all. 

Booker, Christopher.  Seven Basic Plots: Why We Tell Stories.  New York: Continuum, 2006.  Print.

Wednesday 9 February 2011

February 9, 2011: Time Log

120 min- Reading interview articles for class

180 min- researching articles for this weeks lit review

45 min- informal interview with A

120 min- watching and discussing documentary 10 Questions for the Dalai Lama

60 min- writing journal entry and the reviews of my literature search

30 min- looking up details about the Karmapa being accused of being a Chinese spy

Total:  550 minutes

February 9, 2011: Learning Journal 4

The focus of my research of the week was to look at the story aspect of my project.  Why do we tell stories?  How can I find literature that will support my desire to collect them?

I found a lot of interesting and scattered information.  I found that there is such a thing as narrative inquiry, which is slightly different than narrative theory, and many people are using it in the field of education and psychology as a quantitative research method.  If I were still going down the route of why Tibetans specifically tell stories, I think this would be an appropriate route.  However, I think I still need to be more broad.  I liked what Margaret Atwood said about language and stories being fundamentally human, and it is what makes us so unique.  It goes right down the lines of what Emily Bell was talking about in her project proposal while preparing for Dharamsala.

One of the biggest concerns I am facing right now with my literature is just finding the correct searches.  Even when I plug in four or five of the most appropriate keywords, I am getting thousands of options pop up!  I just want to make sure I am getting the most credible sources.  I think next time I am going to take a look at Emily's bibliography again.

Another theme of this week was the possibility of meeting H.H. the Dalai Lama.  After watching the documentary 10 Questions for the Dalai Lama I could not help but ask Ashley if it would be at all possible for me to at least attempt it.  I got a green light.  From this documentary, I also learned more about the importance of asking great questions and the danger of making broad sweeping accusations such as smile=happy.  That was one of the most distracting things about the film.

As far as questions and interviewing goes, my second informal interview practice was really helpful and successful.  Of course, to really get a good story and to have all the elements that I would like to have when I write stories about the people of Dharamsala, I would have to meet more than once, but it is a good start!  So I am happy about that.  The readings and activities that we did in class all last week and this week have been helpful to refresh on those tricks to getting a good interview.

Last, I am little concerned about some of the problems going down in Dharamsala right now.  I got a facebook message the other night from Melissa, the previous field facilitator for this location, and it was not good news.  The Karmapa, one of the most important leaders for Tibetans (sometimes even believed to be the next person to replace the Dalai Lama when he passes away), has been accused of being a Chinese spy.  They found over a million dollars in cash, many of it Chinese currency, stashed away in his monastery.  2,000 Tibetans gathered around this week to show their support for him, but this could have serious implications with the Indian relations.  I hope that it simmers down and proves to be false, but this could prove to be something that has a big impact on our experience studying there.   

Interview with Margaret Atwood

In order to keep to my plan on researching narrative theory this week, I looked specifically at the art of storytelling and what is so human about it.  I always enjoy finding insights from good authors when it comes to research.  This one was an interview with Margaret Atwood on the topic of "Why Do We Tell Stories?"  This is what I got from it.

 She says that the reason why we need to tell stories as part of the human condition is because "language is one of the most primary facts of our existence."  It is what sets us apart from other animals.  She shares another theory that narrative art has evolved adaptation because if you hear a story about what not to do, you won't do it.  To demonstrate this point she uses an example of a river with a crocodile.  She says that "if I can tell you that right over there in that river was where the crocodile ate Uncle George, you do not have to test that in your own life by going over there and getting eaten by the crocodile."  I think that is a pretty interesting theory, it would make sense in the light of cautionary tells that seem to be in all cultures because "we know that people learn and assimilate information much more through stories than they do through charts and graphs."  Especially when there is so much emotion, which is so fundamentally human.

We are not just "thought" or "screaming" entities, we are "thought/feeling"beings.  This is what her thoughts are on why storytelling is so universal and why we need to tell them.

Why We Tell Stories.  Big Think.  Creative Commons, 21 Sept. 2010. Web. 8 Feb. 2011. <http://bigthink.com/ideas/24259>

Narrative Inquiry: Experience and Story in Qualitative Reseach by Clandinin and Connelly

I am more and more intrigued by how much is out there on storytelling in academia.  There are a lot of ways to approach stories, and this book was highly cited as one of the most useful to help me better understand narrative inquiry.

This book takes the approach of storytelling as a qualitative research method.  Commentaries on this book are along the lines of it being clarity when there were so many theoretical gaps before.  It seems to be really fluid and gives a lot of examples, which helps me a lot.  This book looks at the journey of these two scholars,D. Jean Clandinin and F. Michael Connelly, who have studied narrative inquiry for the past two decades.  They look at how narrative deepens our understanding of an educational experience.  These encounters then seem to be a model for intellectual courage within the individual.

This could be really useful for a few reasons, but one of those being that it has a whole chapter dedicated to Clifford Geertz and his theories.  Since Geertz is one of my main sources for my project, this is right down that alley.  It also has a whole section dedicated to encountering stories in the field that I can benefit from.

For me, I am still not so sure if this is directly applicable to what I will be doing collecting stories in Dharamsala, India.  Yet, I am glad that there is some literature out there that can support my academic claims when it comes time to do the IRB application and apply for scholarships.  I am overwhelmed by how much is out there on why we tell stories. Now it is just about finding the right sources... I think that this one would be very useful if I look specifically at Tibetans and why they tell stories, but as far as fitting it into the rest of the population there, I am not so sure the cookie cutter fits.

Clandinin, Jean.D, and Michael F. Connelly.  Narrative Inquiry: Experience and Story in Qualitative Research.  San Francisco:  Jossey-Bass, 2004.  Print.

Tuesday 8 February 2011

Mi Nuevo Amigo- Informal Interview Method

I stressed all week about finding someone to conduct an informal interview with.  My biggest concerns were first, finding someone I did not know or was not introduced to so that it would not be obvious it was an interview situation, second, to find someone who was a foreigner, and last, to practice good ethnographic questions to get the best kind of answers to generate important details, etc.

I should have known all along that the best way to do an informal interview is through the serendipity of it.  "How do I find good informants?" was the questions we were all asking last class period, and if I have learned anything from this exercise is that I have to be looking for it, trying for it, and take opportunities as they come.

Here is how it went down.  I got off of work as one of the new guys at work, an immigrant from Mexico I will call A.  A and I were the only ones who were off the clock and eating at the same time, and rather than sitting at the booth over from him I decided to take the opportunity to have an informal interview over our meal. 

A seemed a little stunned that I sat next to him.  We greeted, exchanged names, place of origin, etc.  A spoke great English, so I did not have to rely to much on my Spanish, which made translation a little easier, though there were definitely some words and phrases that did not compute when we were trying to talk.  After learning more about the place that he was from and why he came to America to start with, I gathered some interesting details and tried out some of those ethnographic questions we talked about in class.  I was happy with the results.

For a "grand tour" question, I asked A to tell me what his hometown was like, what people did for a living, to describe the smells, sounds, and lifestyles.  I got some interesting information such as a taco stand on the corner called "Mama," and other details like the fumes from the cars that painted a better picture for me, but I thought it might have been a little too "grand tour" if I was going to get more specific details.  Plus I think the other questions were a little strange for him.

I then tried a "mini tour" question.  "Can you describe the street you lived on?"  I got a lot more interesting details, and it felt more like a story, which is what I am going for with my interview.  He described the curves in the uphill road toward his house, how everyone was always walking except for the wealthy (which was not his family, which led us to his family dynamics), the different types of fruit trees and an experience he had with the neighbor trying to take some fruit when he was younger.  It was much more rich, and I got A to laugh, which was great.  It helped him to be more comfortable with me, and I think I was able to show that I genuinely cared about what he was telling me.

I then talked to him a little more about why he came to the US and what it felt like being an outsider.  Sure he is not a Tibetan living in exile, but he was one of the closest things I could find here.  I asked him what some of the cultural differences were that he saw.  He talked about personal space, family relations, and a general better situation in life and more opportunities.  When I asked him what some of the most challenging things he faced moving here he expressed his frustrations with learning English, but that he also knew the importance of it.  Going for another kind of question, I asked him to give me an example of what an English lesson looked like for him when he first started taking the classes at the local university after long work shifts each day.  He commented a bit about the teacher, the class size, room, and also his desire to learn the new language, but by asking about a particular day I was able to get details about how the class was structured, what the relationship was between the teacher and pupils, etc.  It was a useful question, and again, if I am going to be writing stories I cannot afford to skimp out on detail.  I think that informal is the only way to go if I am going to get these kinds of descriptions about their experiences having not been to Tibet myself or lived in exile.

We finished our meals but I not only got a great informal interview, but also a new friend and a better understanding of what it might feel like to be A.  If I were to write up a piece of a story based on this conversation, I would start with his childhood and the fruit stealing.  Of course, to really get the full picture I would need to do several follow ups and keep the interviews coming, but it was a start!

Thursday 3 February 2011

Tibetan

Inspired by Carine's blog and her Twi language cards, I need to take a look at how I am doing in Tibetan.  So, I know that knowing bits and pieces of a language is important in cross cultural research and interaction in general, especially for gaining rapport in a tourist community, but how do I take that to heart?

This year, field studies has added a new addition to the program.  A language class to prepare for our various locations.  Since I am going to the Tibetan settlement Dharamsala, well, Tibetan it is.

But then there is me... sitting in a classroom for two hours at the end of my longest day of the week, and I cannot focus.  I cannot learn.  My knee hurts.  I feel stupid.  I struggle to have a good attitude, and all of these great things I feel guilty admitting.  I don't understand Tibetan.  I don't even know where to start.  I don't want to learn words like "white mushroom" and "iron" when I cannot even ask "where is the bathroom?"  But then, something saved me!

This handbook for nine bucks on Amazon.  It made me realize that my struggle with Tibetan is because I have not been putting for the effort to care about it or attempt to learn what I can because I have been too busy thinking it is impossible.  I feel a lot better about taking the class now that I have changed my attitude. 

Now I know how to say "thank you", "father", "butter," and "I don't drink tea."  Maybe next time I will tackle the bathroom question. 

Wednesday 2 February 2011

February 2, 2011: Learning Journal 3

Let's see.  What happened this week....

Well, my talk with Melissa was incredibly informational for a number of reasons.  The logistics of field facilitating in Dharamsala, India, of course, was something I had been longing to hear about, but there were other concerns that came up- things that I really was not thinking about until I talked with her.

I guess I knew that Dharamsala would be a world different than my experience in Ghana, but I did not realize how different.  Almost nothing will be similar, and I need to expect that.  I am a person who has a lot of lofty expectations for myself and my life, and because I had such an awesome experience in Ghana I am worried that I will be disappointed if I expect to find the same thing in McLeod.  Of course, I know that this will also be a wonderful adventure and learning opportunity, but I have to go in with no expectations so that I find it.  It is apples and oranges.  In many ways, I think that going on a previous field study to a different location could be harder than if I was just stepping off the plane for my first trip like the others in my group.  Knowing myself, if I brace myself for the differences I will be okay.  I am not so much worried about using the deficit theory (looking for what one culture lacks in perspective to my own) with my American paradigm, but with my alumni field study paradigm from Ghana.  Isn't this interesting!?  I did not anticipate this, but I know if I do this right I will have another life changing field study in India.

As far as other concerns, I know that my avatar method and story gathering will go hand in hand, but I am struggling to find the words to defend it.  It is like I am looking at the process of story telling within myself but also with others, and analyzing the editing process.  I just do not want to make it look like I am hating on storytelling.  Rather, I want to expose the nature of the beast so that we do not take every account as a solid fact.  It is more fluid than that, and I hope that I can find stories that demonstrate this overlap process.

Another important change based on this weeks research was looking at the population of McLeod.  Based on my interview with Melissa, I discovered that in order to do a project that looks at the diversity in Dharamsala, I cannot limit myself to McLeod where only Tibetans live in order to preserve their cultural identity.  She said that most outsiders have come to the location just for tourism, but there were some rural farmers on the outskirts that were probably the indigenous to that region who would be an interesting population to talk to, although she never did.  I am glad that there is some diversity to play with here, but at the same time I am still struggling to find an academic source that talks about it.  Maybe it is one of those things that I really will just have to wait until I get there.

On a not so academic note, I do not know what to do about travel when it is all said and done.  I was going to go to Paris with other members from my group, but I still want to travel around south India.  I don't want to do it by myself!  Decisions decisions. Any recommendations?

February 2, 2011: Time Log

60 min- Doing advances searches on Dharamsala and Population through the BYU Library website

60 min- Writing up reviews on the sources I found

20 min- Writing journal

60 min- Reading Darśan

45 min- Informal interview with Melissa

50 min- Attending class on January 26, 2011

30 min- Trying to sort out travel plans

Total: 315 min

Darśan: Seeing the Divine Image in India by Diana L. Eck

This book was a short read, but it was packed with interesting information that could relate to my avatar approach for field work (trying on different lenses and experimenting with different mediums to see how different my experiences can be).

The word "darśan" means "to see" in Sanskrit.  It is about "seeing the divine image, and it is the single most common and significant element of Hindu worship" (preface).  Yet, the author does not stop there, she says that we all do this, and makes devotes a lot of attention to the mediums of film and photography that relate directly to my project.

She says that "it has sometimes been claimed that the photograph is a kind of universal 'language,' but our reflections here make us question such a claim.  Every photograph and film raises the question of point-of-view and perspective- both that of the maker and that of the viewer."  It also "raises the question of meaning" and of "obstruction," and that we have to understand the context to really know.  A picture may "be worth a thousand words, but still we need to know which thousand words" (16).

This will go great with some of my previous literature such as Walter Benjamin in his collection of essays Illuminations that look specifically at the medium of photography in regards to an original and authenticity.  Super fascinating!  It is nice to have a source looking at India that can back it up.  Even though it is not specifically about Dharamsala, I think that there are a lot of similarities when it comes to looking at something so exotic of Westerners. 

Eck, Diana L.  Darśan:  Seeing the Divine Image in India.  New York:  Columbia University Press, 1998.  Print.

Metaphor, Poetry, Storytelling and Cross-Cultural Leadership by Thomas Grisham

After doing a methods mapping in class last week (basically drawing our our projects and making sure we had literature to support each component) I discovered that I need a source about the population of Dharamsala, India.  Unfortunately, the Harold B Library does not seem to be the best source for finding information on it.  At the end of this post I have a few titles to articles and books I could potentially look up to get more information on that particular concern, but I will have to look to outside sources since there are no reference numbers on them or full texts available.

 

On my search, however I found another potential article called Metaphor, Poetry, Storytelling and Cross-Cultural Leadership.   It looks specifically at the Dalai Lama, but I am curious to dive into the particulars to see how people might view stories and literature in the community I am going to, especially if His Holiness is so in favor of it.  This article talks about the theory and benefits of poetry, storytelling, and metaphor when applied to cross-cultural leadership.  It brings up examples and connections based on experience, and looks specifically at how these tools can be utilized by a leader to have good leadership skills and inspire people.  It also says that there has been little published on the connection between effective leadership and the use of poetry and metaphor, which could be useful for me.  While I do not plan to look specifically at leadership, I am sure there are similarities among the common population. 

 

A good land, unfortunately I still lack information on the population.  Maybe I will have to check Google Scholar or something.

 

 Grisham, Thomas.  "Metaphor, Poetry, Storytelling and Cross-Cultural Leadership."  Management Decision 44.4 (2006): 486-503.  Print. 


Other titles of sources I could look more into:

Tibetans in exile, 1959-1969: a report on ten years of rehabilitation in India: Compiled by the Office of H. H. Dalai Lama, Dharamsala

Dharamsala: a guide to little Lhasa in India by the Central Tibetan Administration in Exile (India)

Dharamsala Diaries: Swati Chopra

The Theoretical Basis of the Tibetan Epic, with Reference to a ‘Chronological Order’ of the Various Episodes in the Gesar epic by Samten G, Karmay (this tells me that they do have some kind of prominent oral tradition of storytelling and that it is not only unique to India)